Nikon launches the D300

Guide price: D300 body only £1299.99

Nikon is pleased to announce the D300 digital single lens reflex (D-SLR), a camera that sets new standards of compact professional performance. The easy-to-use DX-format D300 offers outstanding image quality, multi-functional technologies and fast response. With class-leading 12.3 megapixel resolution, speedy 6 fps frame advance, self-cleaning sensor unit and high definition 3” VGA LCD display, combined with Nikon’s legendary durability, the D300 is a breakthrough solution for photographers searching for an advanced compact SLR.

“Packed with the latest technologies and Nikon’s renowned ergonomics, the D300 sets a new standard for professionals on a budget,” said Robert Cristina, Brand Manager, Nikon Professional Products, Europe. “The D300 is a true ‘go-anywhere’ camera, delivering fast response, high performance and ease of use that will appeal to anyone serious about their photography.”

Speed and Performance
The D300 is loaded with the latest professional technologies designed to produce images of the highest quality. The high-resolution 12.3 MP DX format CMOS sensor generates image files suitable for almost every type of output, combined with a fast standard frame advance rate of 6fps (up to 8 fps with optional Multi Power Battery Pack). The D300 offers fast power-up, quick response and outstanding flexibility to meet the needs of a wide variety of photographic assignments. The D300 powers-up in just 0.13 seconds, with an almost imperceptible 45 millisecond shutter lag.

Accuracy
The D300 boasts a self-cleaning sensor unit, which vibrates at high frequencies to remove any loose dust on the surface of the sensor’s optical low pass filter. The camera has a broad ISO range from 200-3200 plus Lo 1 (the equivalent of an ISO 100) and Hi (ISO 6400 equivalent). Image accuracy is also enhanced by the new Nikon Scene Recognition System, which uses the acclaimed Nikon 1005-pixel RGB colour sensor modified to recognise subjects’ shape and position before the image is captured. This also aids the new 51-Point Autofocus system in tracking subjects by their colour, while enhancing the accuracy of exposure and white balance metering. The D300 also offers Live View, which presents photographers with a live image on the LCD screen, with two modes suited to either hand held or tripod shooting. Autofocus is possible in both Live View modes.

Enhanced Images with EXPEED
The EXPEED image processing system is at the heart of the D300’s ability to capture and process high definition image data so quickly. The EXPEED system includes both hardware and years of Nikon image processing expertise. The D300 EXPEED system features 14-bit analog-to-digital (A/D) conversion with 16-bit image processing, both of which contribute to delivering results with Nikon’s signature ‘look and feel’ of rich accurate colours, smooth skin gradations and exceptional detail.

Ready for tomorrow
The D300 is completely high definition. From the 3-inch VGA LCD screen with 170-degree viewing angle, to the HDMI interface for HD ready displays, the D300 is ready for tomorrow’s imaging environment. The controls of the D300 were designed for ease of use, with an easy-to-view top LCD panel and an information display on the rear LCD screen that can change colour according to the ambient lighting conditions. The totally intuitive 8-directional multi-area selector makes selecting any of the 51-Point autofocus settings simplicity itself.

Durable and Dependable
The D300 continues Nikon’s long tradition of sturdiness and durability. The camera body is built from a magnesium alloy, while the camera’s shutter has been tested for 150,000-release cycles. The D300 is also designed for a high level of dust and water resistance.

Total Imaging System
Like the D3, the D300 isn’t just a camera, but part of a complete Nikon system to help photographers create great images. The D300 is compatible with the Nikon Total Imaging System of NIKKOR lenses, Speedlights, accessories and software that provides a complete solution for any photographic challenge.

One accessory that can extend shooting life, add ergonomic vertical shooting practicality and increase frame rate to up to 8 fps* is the MB-D10 optional Multi-Power Battery Pack. The compact MB-D10 simply attaches to the base of the camera. Unlike other grips, the MB-D10 does not occupy the camera’s battery space, so one can shoot with two EN-EL3e batteries, or add a powerful EN-EL4a battery into the mix. The D300 and MB-D10 can also be powered by AA size batteries as well. *Requires EN-EL4a.

Wireless Networking
Nikon pioneered wireless image transmission. Now, with the new Nikon Wireless Transmitter WT-43, the era of the multi camera network has arrived. Not only can one transmit (‘push’) images to servers and remotely control the camera from afar, the WT-4 also enables remote browsing of the camera’s image thumbnails as well. In a wireless environment, networks of up to 5 D300 cameras can be established and image thumbnails from all connected cameras browsed simultaneously and relevant image files ‘pulled’, while the photographers continue shooting.

The D300 body measures 147.2 (W) x 112.8 (H) x 74(D) mm and weighs just 795g.

For more information about Nikon's award-winning products please visit www.nikon.co.uk

Nikon launches the D3

Guide price: D3 body only £3399.99

Nikon UK is pleased to announce the revolutionary Nikon D3 professional Digital SLR that defines a new benchmark in professional photography.

“Nikon has eclipsed the competition with the D3, a cutting edge camera that will change how professional photographers take pictures,” said Robert Cristina, Brand Manager, Nikon Professional Products, Europe. “The incredible speed, resolution and flexibility of the D3 will enable photographers to capture images under conditions previously thought impossible.”
The D3, the result of years of development and feedback from professional photographers, combines many innovative Nikon technologies. These include an exclusive 12.1 effective megapixel FX format (36.0x23.9mm) image sensor with 12-channel read out, a blazing-fast 9 fps frame rate, expandable ISO settings from 200-6400, a completely new 51-Point autofocus system, a 3-inch VGA LCD screen with Live View and a cutting-edge image processing system.

FX Format Image Sensor
The D3 FX format CMOS imaging sensor was designed from the ground up to offer exceptional light transmission properties, so photographers can acquire outstanding image quality even in low light conditions. With a high signal to noise ratio, a pixel pitch 15% larger than competitive cameras, gapless surface micro-lenses and advanced on-chip noise reduction means high-quality images under very low light levels are now possible. The sensor enables an ISO settings range from 200-6400, expandable up to the equivalent of 25,600 or down to 100.

EXPEED Image Processing System
The EXPEED image processing system is at the heart of the D3’s ability to capture and process massive amounts of data at high definition. The EXPEED system includes both hardware and years of Nikon image processing experience. The D3 EXPEED system features 14-bit analog-to-digital (A/D) conversion with 16-bit image processing, both of which contribute to delivering results with Nikon’s signature ‘look and feel’ of rich accurate colours, smooth skin gradations and exceptional detail.

Scene Recognition System
The D3 features a radical new approach to calculating exposures and white balance with intelligent support for Autofocus tracking performance as well. At the heart of the Scene Recognition System is Nikon’s renowned 1005-pixel RGB metering sensor that has been modified to distinguish subjects’ shape and position for improved auto exposure and Autofocus accuracy.

Advanced Autofocus
Building on years of development through both the analogue and digital SLR era, Nikon has once again raised the bar for optical Autofocus systems. The D3 and D300 feature a completely new 51-Point autofocus system designed to acquire and track subjects’ movement more accurately.

The result of intensive studies into how professional sports and news photographers use autofocus, the Multi-CAM3500 AF module features the most AF points ever developed for a SLR camera. The inspired coupling of the AF module with Nikon’s easy-to-use 8-direction multi selector button makes selecting instant individual AF points simple and fast. As one would expect the AF system can be completely customised for every possible shooting condition.

Scorching Speed, Intuitive Response
The image quality of the D3 is combined with outstanding frame rate options. At 9 fps, the D3 is the world’s fastest FX format D-SLR, with an even faster 11fps consecutive shooting possible in DX crop mode. A second crop mode is also premiered in the D3, with 5:4 (30mm x 24mm) aspect ratio. Shutter release time lag is an imperceptible 41 milliseconds (CIPA standard), while the image sensor’s integrated high-speed 12-channel readout contributes both to burst speed and Live View performance. The D3 also gets to work quickly; startup time is just 0.12 seconds and mirror black out is only 74ms.

Shutter Unit
The D3 incorporates an all-new Nikon manufactured shutter unit tested to over 300,000 cycles. The shutter blades are constructed from a durable composite KevlarTM and carbon fibre material to deliver unmatched durability and accuracy even in the most demanding of conditions.

Picture Control
Nikon’s new Picture Control system, developed with the help of extensive feedback from photographers, offers improved productivity for JPEG shooters. Picture Control lets users of all levels manage and customise the appearance of their images in camera. This on-board processing saves significant post processing time. With a variety of default settings, photographers can also customize and share settings. Nikon anticipates photographic communities might develop their own Picture Control settings for specific subjects and conditions. Picture Control replaces the existing Colour Mode settings of current Nikon cameras.

High Contrast Subjects, Low Risk
The Active D-Lighting feature of the D3 adds to its JPEG capabilities. Prior to shooting under high contrast conditions, users can apply a pre-set curve that processes images with improved shadow and highlight details, without affecting overall contrast.

Designed for definition
Everything about the D3 is high definition. From the HDMI (High Definition Multimedia Interface) port for output to the latest HD displays to the 3-inch VGA LCD screen with 170-degree viewing angle, images can be played back at very high levels of detail. The new VGA screen also comes into its own when using the new Live View function premiered in the D3 and D300. Unlike other live view technologies, autofocus in possible in all Nikon Live View modes.
Flexible Image Storage
The D3 is the world’s first D-SLR to offer dual CompactFlash card slots for outstanding storage flexibility. A photographer can shoot images to each card one after the other, or simultaneously, as back up. When shooting combined NEF and JPEG files, the NEF image can be written to one card and the JPEG version to the other. Image files can also be selected and copied from one card to the other after shooting.

One Tough Customer
Long the choice of professionals, Nikon SLRs are renowned for withstanding the most challenging conditions. From freezing temperatures of the arctic to the humidity of the rainforest, Nikon’s keep working long after other cameras have ceased to operate, and the D3 is built to continue this tradition. Magnesium alloy is used for the exterior cover, chassis and mirror box, while the seams and buttons of the camera body are sealed against the affects of dust and moisture.

Wireless Networking
Nikon pioneered wireless image transmission. Now, with the new Nikon Wireless Transmitter WT-4, the era of the multi camera network has arrived. Not only can one transmit (‘push’) images to servers and remotely control the camera from afar, the WT-4 also enables remote browsing of the camera’s image thumbnails as well.

In a wireless environment, networks of up to 5 D3 and D300 cameras can be established. At a sports event, for example, photo editors could browse all thumbnails on each camera simultaneously, selecting (‘pulling’) the images they need, while the photographers continue shooting.

Five New NIKKOR Lenses
Five new NIKKOR lenses are also launched today. They include a ground-breaking extreme wide-angle zoom lens, the AF-S 14-24mm f/2.8G ED and a slim line standard zoom, the AF-S 24-70mm f/2.8G ED. Nikon has also launched three all-new super telephoto lenses with VR (Vibration Reduction), the AF-S 400mm f/2.8G ED VR, AF-S 500mm f/4G ED VR and AF-S 600mm f/4G ED VR .

The D3 body measures 159.5(W)x157(H)x87(D)mm and weighs 1,390g including battery. It will be available in Europe from November 2007.

For more information about Nikon’s award winning products please visit www.nikon.co.uk

Canon strengthens pro line-up with 21 Megapixel

Canon raises the stakes in the professional photography market with the launch of the 21 Megapixel, 5 frames per second EOS-1Ds Mark III. Delivering 14-bit depth resolution from a newly developed 35mm full frame CMOS sensor, Canon’s new flagship digital SLR produces files that convert to over 100MB uncompressed 16-bit TIFF, setting a new benchmark in image resolution and sharpness for 35mm-format digital photography.

As well as producing outstanding colour rendition, Dual DIGIC III processors drive 5 fps continuous shooting for up to 56 Large JPEGs (12 RAW) – unrivalled by any other camera at this resolution. This capacity to shoot such large images uninterrupted is regarded as a big driver in switching studio photographers to the EOS platform.

The EOS-1Ds Mark III inherits the new technology platform introduced earlier this year in the EOS-1D Mark III, including 63-zone exposure metering, 19 cross-type auto focus system, a 3.0” LCD with Live View mode and EOS Integrated Cleaning System. The Highlight Tone Priority function expands dynamic range for more depth and detail in bright areas. The launch is supported with the announcement of Canon’s new ultra wide-angle lens, the EF 14mm f/2.8L II USM.

“Taking image quality and versatility to unprecedented levels, the EOS-1Ds Mark III redefines commercial photography conventions”, said Karz Suzuki, Head of Canon Professional Services. “The camera will strengthen Canon’s popularity amongst professional studio photographers. Culminating 20 years of EOS development, the EOS-1Ds Mark III represents a definitive moment in our company’s photographic history.”

Availability and pricing
The EOS-1Ds Mark III will be available from October 2007, priced at £5999.99

Key features
21 Megapixel full frame (35mm) CMOS sensor
5 fps continuous shooting for up to 56 frames
Dual “DIGIC III” processors
Highlight Tone Priority
Auto focus system with 19 cross type sensors and 26 focus assist points
EOS Integrated Cleaning System
ISO 100-1600 (expandable to L:50 H:3200)
3.0” 230K pixel LCD with Live View mode
Redesigned viewfinder now wider and brighter

Image quality
The EOS-1Ds Mark III produces files that exceed the standard resolution requirements of leading agencies and stock libraries. The third generation CMOS sensor incorporates a new pixel design with on-chip noise reduction circuitry to ensure high image quality all the way to ISO 1600. 14 bit A/D converters provide a total colour depth of 16,384 tones per pixel - delivering smoother gradations and more accurate colour reproduction.

The option to expand to H:3200 will be welcomed by professionals working in churches and sensitive situations where the use of flash is not permitted or desired. Where discretion is paramount, a silent drive mode delays shutter re-cocking for as long as the shutter release remains depressed.

Highlight Tone Priority mode gives wedding and landscape photographers the option to boost dynamic range for highlights when shooting above ISO 200 – reproducing more tonal detail from wedding dresses, clouds and other bright subjects.

Precision and control
The auto focus system includes 19 cross-type sensors with sensitivity up to f/2.8, spread across the AF area to better accommodate off-centre subjects. An additional 26 AF assist points help with AF tracking accuracy.

The control layout includes a dedicated AF-ON button on the back of the camera, allowing users to instantly switch auto focus on when composing. The viewfinder is now brighter with a wider angle of view, while the 63-zone metering system gives photographers a greater degree of control over exposure.

New LCD with Live View
The bright 3.0” LCD monitor provides 230K pixels resolution for precise framing and reviewing. Live View mode displays a real-time image on the LCD, including a selectable grid overlay and a live histogram that simulates image exposure. For the studio environment, remote Live View lets the photographer compose, adjust settings and capture the shot via a PC using the supplied EOS utility software.

New controls and menu
The EOS-1Ds Mark III’s menu incorporates a tab structure that eliminates scrolling for vastly improved readability and ease of use. Improving on previous models, personal settings and custom functions are consolidated into 57 custom functions grouped into four logical categories. Photographers can also now see at a glance any default setting changes. The My Menu option allows photographers to store frequently used settings on a separate menu for immediate access. Settings for recently released accessories such as the Speedlite 580EX II and the Wireless File Transmitter WFT-E2 can be controlled directly from the LCD.

Along with a new dedicated ISO button, ISO is permanently displayed on the top LCD panel.

Reliability
Shutter durability is increased by 50% to 300,000 cycles. A magnesium alloy casing with dust and moisture resistant seals protects the body. The EOS Integrated Cleaning System reduces, repels and removes dust from the sensor to significantly limit the need for manual cleaning. To avoid image loss, a warning alarm sounds if the memory card door is opened while images are still being written.

Connectivity
Interfaces include video out (for display in both NTSC and PAL formats – with the
Live View mode ideal for live display to clients during the shoot) and USB 2.0. To prevent the USB cable becoming accidentally dislodged during shooting, a special connection secures it to the camera body.

Compatibility and accessories
As well as full compatibility with all EF lenses and EX Speedlite flashes and accessories, the EOS-1Ds Mark III is supported by the recently released Wireless File Transmitter WFT-E2. The WFT-E2 enables secure wireless uploads to FTP servers as well as remote access via HTTP and PTP protocols. The unit also connects wirelessly to external storage media and supports GPS tagging when used with a portable GPS device. For assignments where image protection and authenticity are crucial, the EOS-1Ds Mark III is compatible with the Original Data Security Kit OSK-E3.

New lens
Today’s launch coincides with the release of the EF 14mm f/2.8L II USM: Canon’s new professional L-series ultra wide-angle lens for the photographer requiring a slightly different perspective. As with many L-series lenses and the Speedlite 580EX II, the EF 14mm f/2.8L II USM incorporates environmental sealing to match that of the EOS-1Ds Mark III, creating a fully weatherproof camera system. Aspherical and UD lens elements produce exceptional image quality with improved corner-to-corner sharpness. The ring-type USM delivers fast, silent auto focus with full-time manual focus override. A circular aperture produces pleasing bokeh at wide apertures and Super Spectra coatings suppress ghosting and flare by suppressing internal reflections from lens element and sensor surfaces.

Software
The EOS-1Ds Mark III is packaged with a comprehensive software suite to streamline the photographer’s workflow. This includes Digital Photo Professional (DPP) RAW conversion/processing software for complete RAW image processing control. DPP also integrates with camera features such as the Dust Delete Data and Picture Style. The camera also comes with EOS Utility, ImageBrowser/Zoom Browser and Photostitch.

Reader enquiries
Phone 08705 143723 or visit www.canon.co.uk

Canon EOS 40D brings new EOS platform to advanced amateur market

Canon has introduced its latest digital SLR for advanced amateurs and semi-professionals - the EOS 40D. With a 10.1 Megapixel CMOS sensor, 6.5 frames per second burst performance, a newly developed AF system and 3.0” LCD with Live View mode, the EOS 40D makes significant advances in both performance and versatility.

The camera benefits from the new EOS technology platform introduced earlier this year with the professional EOS-1D Mark III. Canon’s DIGIC III processor delivers responsive operation, improved colour rendering and near-instant start-up time. The EOS Integrated Cleaning System combats sensor dust, while a strong magnesium alloy body with weather resistance ensures lasting durability.

“The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch.”

Pricing and availability
The EOS 40D will be available from September 2007 priced at:

EOS 40D body only:
£899.99 RRP inc. VAT

EOS 40D plus EF-S 17-85 IS USM: £1199.99 RRP inc. VAT

Key features
10.1 Megapixel APS-C CMOS sensor
6.5 fps continuous shooting, max. burst 75 JPEGs
New AF system with 9 cross-type sensors
DIGIC III processor
3.0” LCD with Live View mode
EOS Integrated Cleaning System
Clear and bright viewfinder
Customisable Picture Style processing parameters

Speed and image quality
Canon’s third generation CMOS sensor improves on its predecessor with redesigned pixels that keep noise to a minimum. The EOS 40D maintains high image quality up to ISO 1600, expandable to H:3200 for situations where flash use is not permitted or desired. Highlight Tone Priority mode gives wedding and landscape photographers the option to boost dynamic range for highlights when shooting above ISO 200 – reproducing more tonal detail from wedding dresses, clouds and other light coloured objects.

The DIGIC III processor powers a burst rate of 6.5 fps, working with the image buffer to handle up to 75 Large JPEGs (17 in RAW) without pause. Images are processed at 14-bits for a greatly expanded colour depth, providing smoother gradations and exceptionally accurate colour reproduction.

New cross-type AF system
A key advancement of the EOS 40D is its new 9-point cross-type AF system. All nine AF points can achieve focus on both horizontal and vertical planes. A central AF point is capable of accurate focusing up to aperture f/2.8, with eight outer points working up to f/5.6. In response to requests, the dedicated AF Start (AF-ON) button allows photographers to execute auto focus with their thumb.

LCD with Live View mode
The Live View mode simplifies shooting from awkward angles such as ground-level macro or mounted tripod shots. The 3.0” LCD displays a real-time image in Live View mode, including a selectable grid overlay and a live histogram that simulates image exposure. The AF-ON button can be configured to flip the camera mirror momentarily and engage auto focusing. For the studio environment, remote Live View lets the photographer compose, adjust settings and capture the shot from a PC using the supplied EOS utility software.

Total control
The EOS 40D is fully customisable to the photographer’s shooting preferences. The mode dial contains space for three sets of user-defined settings, allowing the photographer to switch instantly between several shooting setups. A new My Menu tab provides quick access to frequently used settings, while 24 custom functions allow photographers to fine-tune camera operation and controls. The ability to change the focusing screen – with two additional screens available – adds further versatility.

Two new EF-S lenses are launched today in conjunction with the EOS 40D:
EF-S 18-55mm f/3.5-5.6 IS – a high quality, affordable standard zoom lens incorporating a 4-stop Image Stabilizer
EF-S 55-250mm f/4-5.6 IS – a versatile telephoto zoom offering the longest focal range in the EF-S range to date as well as a 4-stop Image Stabilizer

Software
The EOS 40D is supplied with a comprehensive software suite to streamline the photographer’s workflow. This includes Digital Photo Professional (DPP), a powerful RAW converter that provides complete RAW image processing control. DPP integrates with cameras features such as Dust Delete Data and Picture Styles. Users can now also create their own custom Picture Styles with the supplied Picture Style Editor software. The camera also comes with EOS Utility, ImageBrowser/ZoomBrowser and PhotoStitch.

Reader enquiries
Phone 08705 143723 or visit www.canon.co.uk

Jessops launches new service and bigger range

Jessops has launched a brand new service offering photographic enthusiasts and professionals access to a bigger range of hardware and accessories than ever before. The photographic retailer’s new Jessops Extra Order@Store service features an unrivalled range of products, including many specialist and professional lines that are hard to find elsewhere.

Many items are held in stock at the Jessops Extra warehouse, and customers can choose either to have their order delivered back to the store for collection within 48 hours, or can opt for next day home or workplace delivery from only £3.95. A further range of items are available through the service by special order. Jessops aims to deliver these orders as soon as possible, and usually within 28 days.

The Jessops Extra Order@Store service is backed up by a new communications system which sends emails and SMS messages to customers, updating them on the progress of their order.

Brian Linnington, Marketing Director explains: “We know how frustrating it can be for enthusiast and professional photographers when trying to source specialist products and accessories. Jessops Extra meets that need by vastly increasing the range we can offer through our stores, as well as providing an ideal solution for the rare occasions when a particular item might be out of stock at a particular store. Customers can choose a fast delivery service that is convenient to them – whether they prefer to collect items from their favourite Jessops store, or have them delivered to their home or workplace. Customers will receive email or SMS messages when their order has been despatched or when it’s ready for collection – and the same technology is used to provide regular updates on special orders. The new service follows the recent introduction of our Collect@Store service for online orders, and is the latest demonstration of our commitment to offering the highest standards of care and support to all our customers, and an extensive product range available for enthusiasts and professionals.”

In addition to specialist hardware and accessories, the new service will also offer a wider choice of selected general consumer lines including, for example, different coloured editions of the most popular digital compact cameras.

Further details on the service and product range are available from any Jessops store.

Nikon announce Capture NX 1.2 download

Nikon is pleased to announce Capture NX version 1.2 is now available to download from the European Customer Support Centre. The download improves the speed of opening images in Capture NX and can be used as a 30-day trial or an updater for previous version of NX.

To access the download please visit http://nikoneurope-en.custhelp.com

Practical Photography editor helps millions of youngsters "Do something different"

Breakfast TV will never be the same! Practical Photography editor Andrew James is the star of this week’s CBBC programme ‘Do something different’, in which presenter Mark Rhodes is put through his paces with a camera. 'Do something different' is geared towards helping kids try their hand at something they’ve never done before, and to get out and about and away from their computers! Andrew acted as photography guru and mentor to Mark (of Pop Idol fame), to help him become a budding sports photographer. Mark was given a crash course in the technical aspects of photography, culminating in him taking pictures at the world's most famous tennis venue, Wimbledon Centre Court.

"DSD seemed like a brilliant idea to me,” says Andrew, “a fun way of showing kids that there's more to life than staring at games on a computer. But trying to turn someone who had never used a proper camera into a top-notch photographer in just five days was a real challenge. I don't think I'm likely to be the next Blue Peter presenter, but I did enjoy my experience working in a different area of the media."

The show will be broadcast every morning between 8 and 8.45am on BBC2 from August 6th, and then on BBC2 from 10.55am on Saturday 11th August. Visit www.bbc.co.uk/dsd/ to find out more.